Bird on a Wire

cover: Motherish by Laura Rock Gaughan

Behind the Page: Laura Rock Gaughan

Stories function as a time capsule for me, a place to preserve emotional truths—the feelings, if not the facts.

cover: The Emperor's Orphans by Sally Ito

Behind the Page: Sally Ito on The Emperor's Orphans

 If a writer doesn’t write the stories, they are lost to silence, and that silence is deafening. 

Behind the Page: Katherine Lawrence on Never Mind

Let me tell you a secret: I believe that poetry saves lives.

cover: Visiting Fellow by Dave Williamson

Behind the Page: Dave Williamson on Visiting Fellow

Most writers draw on their experiences for whatever they write. I saw this as an exotic trip that would provide all kinds of incidents and details for me to use in my future writing.

cover: Gloryland by Carla Funk

Behind the Page: Carla Funk on Gloryland

The collection’s binding force from the start was The End—and all endings

cover: 'Dinosaurs' of the Deep by Larry Verstraete

Behind the Page: Larry Verstraete on 'Dinosaurs' of the Deep

Whenever I write, I draw upon a memory. Sometimes I do so consciously. More often than not, though, it is without any real awareness. I just know it’s there, like a ghostly spectre looking over my shoulder.

cover: The Waiting Place by Sharron Arksey

Behind the Page: Sharron Arksey on The Waiting Place

There is evidence-based brain research to suggest that babies arrive biologically wired with the experiences of their ancestors. We add our personal experiences to the mix and then pass everything on to our own children. I find that fascinating. How complex we are before our own stories even begin.

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